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Loraine James: Gentle Confrontation

The Kübler-Ross model has done the bereaved dirty ever since it entered the public consciousness in the 1970s. Its five tidy stages are woefully inadequate to handle the myriad shifting forms of grief: unpredictable physical […]

Eartheater: Powders

Eartheater songs, which reference chrysalises, diamonds, and other natural symbols of metamorphosis, sound like they emerge from an analogous process of transformation. Alexandra Drewchin takes amorphous elements and alters them into something rare and precious, […]

Laurel Halo: Atlas

“Atlas” is a weighty term for a weighty tome—hardbacked, oversized, cutting the whole world down into perfect-bound pages. To the mythologically inclined, it has other associations, too—namely, the weight of the world itself, resting heavily […]

Devendra Banhart: Flying Wig

Devendra Banhart has never shied away from the esoteric. On “Für Hildegard von Bingen,” from 2013’s Mala, he recast the eponymous 12th-century Christian mystic as a “VJ on rotation” over a playful disco-rock groove. “María […]

Doja Cat: Scarlet

Doja Cat’s arachnidemonic no-features rap album would like a word with anyone who ever said that she’s not really a rapper. Scarlet asserts Doja’s ability to rap, and her right to be multi-talented and difficult—“difficult […]