Jerry&ThePelicanSystem is the collaborative project between  two stalwarts of Poland’s vibrant experimental jazz scene: saxophonist and composer Jerzy Mączyński, and Waclaw Zimpel, a much-travelled clarinet player who mixed and produced the album and whose most recent releases cleverly combine the slowly shifting electronic textures of ambient with his deep-rooted love of experimental and free-jazz.

SARIANI is the new album which will be out on November 5th via  Pieter Jansen’s yeyeh label. Check the excerpts below and read the full story.


‘Sariani’ has its origins in the friendship between Mączyński and Zimpel that developed during the early stages of the global Coronavirus pandemic. After many happy hours spent discussing life, music and Indian culture – the latter a shared interest that would shape future recording sessions – Mączyński offered Zimpel the chance to join forces on what he initially intended to be his second solo album. Over the eight months that followed, recording sessions in two separate Warsaw studios saw the set – a far-sighted meditation on Mączyński’s travels to India – develop into a genuinely collaborative production and a unified artistic vision.
The pair lay down a marker on opener ‘Raga or Raga’, a musical translation of the Book of Rag where increasingly expressive saxophone – a mixture of undulating, stretched-out solos and droning motifs – metamorphose as the track progresses, cleverly matching the increasing intensity of the trance-inducing modular electronics that bubble beneath before surging forwards towards a breathless conclusion. You’ll find a similar musical narrative – albeit with bolder free-jazz notes and more intense electronics – on the album’s closing track, ‘Pools Games’.
‘Temple of Jetsu’, an especially spiritual composition, fuses the melodic cycles of classic minimalism with similarly slowly unfurling electronic motifs and luscious ambient textures, while the title track – a meditation on the plight of women in India – delivers a beautiful but sometimes uneasy mix of densely layered minor-key sax sounds, exotic and intoxicating solos, off-kilter electronic rhythms and enveloping synthesizer textures.
Guest musician Szymon Wójcik, who had previously travelled to Nepal with Mączyński, provides glistening guitar textures on ‘Everest Inn’, a kind of musical translation of a Himalayan sunrise. Like the track that follows, the tactile, soft-touch joy of ‘Katakhali Masks’, ‘Everest Inn’ offers a new blueprint for ambient jazz. It’s this distinctive musical fusion – the acoustic and the electronic combined with the mystical and far-sighted – that marks out Mączyński and Zimpel’s first collaborative work. It’s a genuinely revelatory and intoxicating album.