Latest Posts

Protomartyr: Formal Growth in the Desert

The symbolic and literal centerpiece of Protomartyr’s new album Formal Growth in the Desert is “Graft Vs. Host,” a song about forcing yourself to experience happiness after a crushing loss. In Joe Casey’s typically circuitous and surreal […]

Rufus Wainwright: Folkocracy

The folk tradition looms large over the work of Rufus Wainright. Approaching the craft as a white gay Canadian man for whom the canon of his own folkie dad was there to be overcome, Wainwright lavishes the […]

The Stools: R U Saved?

If you listen to enough contemporary, small-label punk music, it becomes very easy to identify the points of intrigue. There’s the structural simplicity. The ragged ferocity. The extreme speed and decibel levels. Nuanced and unusual […]

Foo Fighters: But Here We Are

Dave Grohl opens the 11th Foo Fighters album with a realization: “It came in a flash/It came out of nowhere/It happened so fast/And then it was over.” The line likely refers to the shocking death of beloved, […]

Bully: Lucky for You

Even before reinventing her band as a solo operation in 2020, Alicia Bognanno wrote, composed, produced, and mixed every Bully record herself. That’s on top of singing and shredding. In control behind the microphone and at […]

Miya Folick: Roach

On Roach, the sophomore album from Miya Folick, the Los Angeles singer-songwriter grounds her quarter-life crisis in the banality of everyday objects: cigarette lighters, medication, coffee slurped through a plastic straw. These items radiate a noble quality; […]

Sans Merit: Early Grave

Griffin James might seem an unlikely auteur of lo-fi indie rock. Better known as Francis Inferno Orchestra, the Melbourne-born house and disco producer was being hailed as “one of the saviors of Australian dance music” in the […]