Jonatan Leandoer96: Sugar World

In the past decade, Yung Lean has traveled well beyond the novelty-rap origins of “Ginseng Strip 2002,” moving from trance to 2-step to art pop. But he’s never really been able to escape the fact that […]

Andy Shauf: Norm

God and the devil have preoccupied Andy Shauf’s work since the beginning. Sometimes, he paints sympathetic portraits; on 2009’s “The Devil,” he describes a lovesick Satan, clutching a bottle and weeping over the souls he’s […]

Narrow Head: Moments of Clarity

Narrow Head’s previous album, 2020’s 12th House Rock, had a grim outlook. It was a document of total depression, its lyrics populated by apathy, self-loathing, and substance abuse. Accordingly, it sounded dirty and grungy, calling back to […]

Kelela: Raven

To establish a more tranquil, soul-bearing afterglow, Kelela recruited OCA, the ambient group comprising Yo van Lenz and Florian T M Zeisig. (She previously included their sparse, abstract music on her 2019 Aquaphoria mixtape, a precursor […]

Rebecca Black: Let Her Burn

But Let Her Burn is so, so dry. Largely produced and written with MØ collaborator Stint and Micah Jasper, who worked on Slayyyter’s Troubled Paradise, Let Her Burn is bereft of the subversive and chaotic DIY energy that made hyperpop a destabilizing […]

Tennis: Pollen

After more than a decade of dedication to a singular sound and soft-focus vibe—not to mention the marriage, the boat, the name—it may be time to accept that Alaina Moore and Patrick Riley are not doing a […]

Teedra Moses: Complex Simplicity

The mid-2000s were an explosive era for women in R&B. The decade of shiny-suit rap had elevated hook queens to star status, while the maturing neo-soul movement was becoming more playful and varied. The energy […]

Laraaji: Segue to Infinity

Well before Brian Eno recruited Laraaji for the third installment of his epochal Ambient series, 1980’s Day of Radiance, the man born Edward Larry Gordon already had his own fully formed sound. Still, Laraaji’s origin […]

Paramore: This Is Why

This Is Why is front-loaded with similar lyrical missteps and ironies that would make Alanis Morissette roll her eyes: “No offense/But you got no integrity,” Williams sings with a smirk unearned by the weak disses […]