Pop Spotlight

Slowdive were a band built for eternal youth: They were teenagers, only 15 when they met and started rehearsing, not yet 20 when they found themselves signing with the legendary Creation Records, suddenly label mates […]

Izzy Hagerup isn’t afraid to get uncomfortable. On Through the Window, her debut album as Prewn, upsetting realities of human grief and greed live alongside scenes of nightmarish surrealism: Houses burn, bodies wither, and children’s […]

In midwxst’s hands, adolescence is less of a roller coaster and more of a drop tower, liable to leave the faint of heart swearing off rides forever. Since breaking out in the world of hyperpop […]

In the constellation of “don’t call it post-punk” post-punk bands that have emerged in recent years, Chicago’s Deeper stand out as proud traditionalists. Many of the young groups lumped together under the genre push against […]

“I’m not dancing,” Tirzah Mastin proclaimed on her debut EP: “I’m fighting.” That might have come as a surprise, because the music—produced by Mica Levi and released on the Hot Chip-affiliated Greco Roman label, no […]

Across the 96 minutes of The Lamb as Effigy or 300 XOXOXOs for a Spark Union with the Darling Divine, Sprain’s Alexander Kent curls and shrinks and shrivels. He is consumed with guilt the way […]

In the early 2010s, Los Angeles rapper-producer Blu went from a scrappy, true-blue hip-hop devotee with a Warner Records deal to California beat scene and underground hermit. He seemed determined to play against type, cranking […]

Jeff Rosenstock doesn’t want your money. In the 2000s, as the mastermind of Bomb the Music Industry!, he turned down record label offers, gave away his music for free, and spraypainted his fans’ shirts instead […]

The steady churn of the average Speedy Ortiz album complements singer-songwriter Sadie Dupuis’ vocal approach; she sounds as if she’s thinking through the scrupulously worded one-liners, bits of fridge door poetry, gnomic confessions, and tart […]

Another Triumph of Ghetto Engineering should have a familiar ring to it: The title first appeared on a print illustrated by McKay Felt and sold with an exclusive vinyl edition of Open Mike Eagle’s 2022 […]

When Billy Corgan was 9 years old, he stuck his head in the speakers to get closer to the terrible, godlike sound emerging from them. The record on the turntable was Black Sabbath’s Master of […]