Latest Posts

100 gecs: 10,000 gecs

In the seven years since Laura Les and Dylan Brady first released music as 100 gecs, they’ve been elevated to the patron saints of hyperpop: musically chaotic and poly-gluttonous, profoundly specific and yet totally random, ideal […]

Zulu: A New Tomorrow

Zulu have no time to waste. In the five-second gap after “Africa,” the reverent orchestral introduction of their debut album A New Tomorrow, but before the forceful drop-tuned power chord buzz of “For Sista Humphrey,” the […]

Bub Styles: Outerwear SZN 3

As residential districts fall prey to Bloomberg-era economic policy, New Yorkers have watched their city become a parking lot for foreign capital, a disposable plaything for the millionaire class. Chinatown Sound, a video series from Brooklyn […]

Lonnie Holley: Oh Me Oh My

The Alabama Industrial School for Negro Children was the kind of educational institution that traumatized its students more than it educated them. Founded in 1911, after the state of Alabama took over a large farming […]

KMRU: Glim

KMRU’s 2020 album Peel was a formidable addition to the long list of great electronic albums released on the Editions Mego label. The shadowy six-track release established the Nairobi-born, Berlin-based artist (aka Joseph Kamaru) as one […]

MSPAINT: Post-American

Without hearing their music, it would be reasonable to assume MSPAINT is a hardcore band. The Hattiesburg, Mississippi quartet spent the past three years opening for the likes of Soul Glo, Militarie Gun, and Gel with a fervor that […]

Sluice: Radial Gate

Sometimes it seems like Justin Morris wishes he were an eagle. Planes and birds of prey soar above Radial Gate, the Durham, North Carolina folk musician’s second album as Sluice. From the ground, Morris sings of dirt […]