Ralphie Choo: Supernova

On his debut album, Ralphie Choo, a former chemical engineering student, toys with genres with radical abandon, manipulating sounds like reagents and catalysts in a lab. Across 14 tracks, fluttering flutes, dembow riddims, and flamenco […]

Irreversible Entanglements: Protect Your Light

Irreversible Entanglements is a band built on improvisation, five jazz virtuosos—poet/vocalist Camae Ayewa (aka Moor Mother), bassist Luke Stewart, trumpeter Aquiles Navarro, saxophonist Keir Neuringer, and drummer Tcheser Holmes—coalescing around an idea and discovering where […]

The National: Laugh Track

R.E.M. had been a band for 24 years when they released their worst album, 2004’s Around the Sun, a record that magnified that aging act’s growing weaknesses and succumbed to sheer tedium. The National, perhaps […]

Buju Banton: Born for Greatness

Though released to relatively muted fanfare, Born for Greatness, the new studio album from veteran reggae star Buju Banton, still arrives with great expectations attached. Banton was already the first artist to break Bob Marley’s […]

Piotr Kurek: Smartwoods

Piotr Kurek’s Smartwoods comes on gradually, then all at once. An electric guitar plucks out a tentative phrase; a harp responds with unhurried plucks; metallic taps, like steel pans, add shading. Finally, an acoustic bass […]

Subsonic Eye: All Around You

On their third album, Nature of Things, the Singaporean quintet Subsonic Eye pivoted from their usual wide-eyed dream pop to a raw, earthier sound. Nature was frenetic yet loose, mixing the shaggy indie rock of […]

Pharoah Sanders: Pharoah

Lavish reissues of a single album usually signify the record’s general sense of importance: We need to gather all that’s known about this work, they suggest, every note and outtake, in order to more completely […]

Kipp Stone: 66689 Blvd Prequel

It’s easy to imagine Kipp Stone in one of those videos rappers post of the recording process: vibey lighting in the vocal booth, headphones slightly askew, eyes focused just past the mic on the object […]